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The magician pulls the blade up and in usual fashion let's it drop on a melon. Then he pulls up the blade again. Then kneels down. The magician bends down. The blade falls, the beheading finds it's bloody end by the head dropping into the bucket. Seemingly an eternity seem to pass The headless body rises. As if there is still a head attached controlling the body it moves around, the hand reaching into the bucket grabbing the head.

The head is raised towards the audience and then placed on the shoulders. Some adjusting, applause pose and the curtain falls. Sunday, December 4, Act 2. Saturday, December 3, Act 1. I don't even know why I'm writing this now What if I had real magic powers. Just me Nobody else. Would I make that know? I assume there would be limits to the magic powers. So my life wouldn't be save if I openly announced that. I know how crazy power hungry human being are. So I guess I would keep that a secret. But still I wouldn't wanna be totally quite about that.

After all I have this gift, I need to show the people. So I assume the best way to deal with such a dilemma would be to pretend to be a magician using tricks to achieve the wonders. Little work, lot's of money. So what would my act be like? I can't be too extreme, or people might think I got real magic powers. But I couldn't be too dull either, as I would get no shows. My thought was: How about just three tricks for the whole show.

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Three really good ones. Tricks that might be achieved via trickery but would be very hard to pull off yet are unique enough to gain me "fame and fortune and everything that goes with it. The Homunculus On stage there is a table. On the table there is a big glass jar. But that is covered with a cloth. The magicians enters. Talks about the how the alchemists tried to make gold. But also tried to create life. You managed such a feat. The spotlight is moved to the cloth which is dragged away revealing the jar. In the jar there is a small harlequin with a tiny little mask.

It's not moving. The magician opens the jar, puts on some gloves and takes out the small human shaped doll and sets it on the table in front of the jar. Then the other arm. Finally it does some steps, jumps down the table and takes a bow. Then in typical fashion of a magician rings are used to prove there are no threads nor wires. The humunculus is then placed back on the table and does some dancing. Following that mindreading is demonstrated. A spectator is asked to think of a number between 5 and The little man claps his hands 9 times. The spectator verifies that he was thinking of the number 9.

And to finish this act the magician announces to explain the feat and how this little man is moving. It's a deal you have to make with unknown entities, that are vaguely mentioned in some fairy tales. Most often this back fires. But you have it all under control. Then the harlequin turns towards the audience and takes off it's little mask. Underneath there is an imp face with evil eyes. The magician then quickly grabs it by the neck and tosses the creature back into the jar. Just as he closes the lid the creature starts to burst into flames.

Smoke fills the jar a strange noises arise. Whispers that fade out. Finally the lid is opened and the jar is tipped over. Heavy smoke rolls out over the table. But the jar is empty. The other two acts will follow. Wednesday, November 30, Got time for some theory?

I often see the word "teleportation" and "transposition" being used for the same thing. Well it's not Let me explain by starting from the very beginning. The first two basic effects are "vanish" and "production". Basically something fades out of existence and then comes back. If you want to be all nit picky than you might see, that it is actually just one effect.

One of them is just the reverse of the other. But keep in mind that those two effects are the two basic effects that the following will build on. Transformation: So an object changes into another object. Think about it. When seeing this our brain could interpret this as two different events. The first one is, that two objects are in play. The first object faded out of existence while the other one appeared from thing air.

All at the same place in space creating the effect. Now the second way to see this is the following: Just one object, which changes it's attributes. We just haven't see the actual change. And because our brain cannot easily decide which scenario is the actual case it makes up this third effect. Simply called "transformation". Teleportation: Very similar to the transformation again we have two possible events taking place. The first one again is about two objects. At place A object A could vanish, while at place B object B could appear.

Or the second was out brain could see this is, that the object becomes invisible and moves to the new location unseen to become visible again. In most cases both scenarios are thinkable and again our brain cannot decide which on to pick. So "teleportation" becomes the fourth effect in magic. So if we call the first two effects in magic basic effects, then the next two, the transformation and the teleportation become effects of a higher level, as at least both of the basic effects are needed to explain them.

An even higher level of effects would be the Transposition: When two objects swap places, two possible events could take place. Both objects could simply be still where they are, they just transformed into one another, or the two objects teleported to the other ones location. Both cases are valid, our brain cannot decide which one, so the "transposition" becomes the fifth effect.

So you see that teleportation and transposition are not the same thing. Thank you for reading and sorry to have bothered you being a bitcher about a problem that apparently only I am seeing. Labels: theory. Bravo Andrew, Bravo! Andrew, I can't think of anything to add to your wonderful post on the Splice issue. All I can do is link towards it I got into magic seriously when I was in my 20's.

That quite late by most accounts, but I don't care. I feel it has added a maturity to my character, and a depth to my understanding of the art. I'm happy to talk with the youngsters about the latest and greatest gimmicks; although I'm old enough to realize they're only adaptations of older principles However, the conversation doesn't always last very long, since they think I'm too long in the tooth because I haven't bought the latest XYZ on pre-release from Jay Sankey. Alas, I am spurned. I'm also happy to talk with the elder statesmen of our art; those who worked alongside Canasta and have shunned technology since Gutenberg.

Each day they pray for the death of the internet, and still haven't learned to work their DVD player. However, the conversation doesn't last very long, since I'm too young to have the original edition of a tome so dusty that it falls foul of health and safety, or that I learned a sleight from a DVD, instead of the original in the now out of print hyper-expensive collectors edition lecture notes that exist in a singularity within another universes time-space continuum. Am I such an objectionable person that no one wants to talk to me? Er no - because it's not just the conversation.

The youngsters haven't learned enough manners to wait in the queue without pushing, barging, or giving frat-boy aggravation. The oldsters haven't learned that age doesn't grant you the right to push to the front of the queue. Although maybe it should, perhaps they're so old they might die in the next 12 seconds if they don't get to the front. They have, after, got to pass comment on how Slydini did it. And better. And that they taught him. The youngsters haven't learned that - I not knowing the name of a new sleight - doesn't mean I'm stupid.

The oldsters haven't learned that I not knowing the name of an old sleight doesn't mean I'm stupid. They're probably the same sleight, anyway. And the only way I'll know this is if magicians gave proper crediting throughout which they often don't , and I have read the exact same set of books that they have which I almost never have. The youngsters haven't learned that the magical inheritance isn't theirs yet; they haven't earned it, there's lots of people in the bequeathal queue before them; particularly if it's not a self-working card trick from Ellusionist.

The oldsters haven't learned their magical legacy is out of their sleight-weary, wrinkled, old hands.

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Magic moves on. They no longer own it. It's time they realized. I'm beginning to come to terms with this. I am a "middle lane magician". It's just like driving a car where everyone on the road seems like an idiot - those going faster than you are un-safe idiots. Those going slowly are retarded, plodding, idiots. Except in this case, I'm not sure which are the youngsters, and which are the oldsters. Sunday, November 27, Splice you Opinion. Shin Lim may be a bright new light on the magic horizon.

Maybe too bright One of his products: Splice. With a nifty demo video: In case it is deleted: A signed Eight of Diamonds is shown, twirled on the right hand middle finger to prove it's a single card. Then it is placed on the deck, and then placed in the middle. Magic gesture, and it's back on top.

Near the end of the video this is repeated from a different angle. The only difference: The card is not placed on top, and then placed in the middle. But placed on top and cut into the middle via Charlier Cut. Here is the caviar: The video is faked. A duplicate is used. Shin Lim replied: Hey guys, Shin Lim here. This has been a move I've been working on for a while now, and I felt that it was a sleight worth putting out into the magic community.

It's a move that can be done perfectly if practice is put in to it. So the answer is NO I didn't use two duplicates. All it took for dendrake to do was to crop my playing card a couple of milimeters up to make the signature look different. If you notice the end result of the second 8 was that the 8 on top looked faded on the edges, because of the "cropping".

Guys, I would never do such a thing as to use 2 duplicates when the move doesn't ask for it and because I would rather take the time to do a couple of "takes" and get the move right on camera, than to painstakingly forge a signature and make them look identical. It's an extremely clean sleight, and if you ever see me at a convention, I'll be more than happy to show you a live demonstration, including you, Dendrake.

Shin Lim What a liar. This is not new. I remember the time when Craig Petty faked a sleeving demonstration during the Wizard Product review. But that's a different story. Thursday, November 24, Wanna have a wtf moment? Wednesday, November 23, He has come a long way. Mayoral has certainly come along way in magic. The act you are about to see from FISM A very, very lonely piece of magic. Full to the brim with symbolism. I don't think I get all of them or even one for that matter. The act is clearly nerdy in all ways.

Even a bit creepy. Well see for yourself: What makes the ending even more tragic is realizing that this is a one person act. Remember the time when stereotypes were funny? Times have changed a bit and magicians need to adopt to the changing times. Some have not gotten the message. Keith Raleigh is such a case. The magic is decent, but the presentation is an absolute no nowadays. My childhood was full of racial stereotypes. We used the N-word made fun of Asians and gays. Today is different. That's part of an evolving culture. There will be times, when today's standard is in no way acceptable.

So he will be this week's failure. Friday, November 18, All you Open Travelers. Here is pro tip for you, if you do any Open Travelers aka Invisible Palm. DO NOT show your hand empty on the first card. Keep it palm down. Spread the fingers Even make a fist On the second time you can show your hand empty. But only very, very briefly.

Bonjour tout le monde !

On the third time you can be all "open" about it. Labels: rant , tip. Whenever I haven't got the C. Or a vegetable. Labels: Barry Solayme , Kevin Parker. Hydrophobic Fabric. I'm seeing a serious way to include this in an illusion show. Like emerging from a water tank with dry clothing. Click this link to the main page. My colleague has recently had a problem with theft. Of material. But not in the way you might instantly think. This is theft of props What exactly did this reincarnation of Forrest Gump's more stupid brother think he was stealing?

This isn't the 'piece of cardboard to million dollar pot of gold' transformation that we've all thought suitable to bring to the working mans club. Nor is it something that can be resold on ebay for beer money. It's worthless to you, and everyone else. Can you imagine the advert? So why do it? Would you hang around the back doors at a rock gig, and nick Robert Plant's guitar if he turned his back to talk with another fan? Actually, don't answer that - it was meant to be a proverbial question, but I realize I've just given you another business plan in your next hour day release.

We don't even have any money to pay a ransom. Was that your plan, Mr. Instead of pirating material from teh interwebs, are you on an exchange program from Somali and though that magic was the game to be in? What Rainman doesn't even realize is that it isn't just the cost of the props. Sometimes it'll have a sentimental value our personal prototype, or a gifted trick ; or represent a great deal of time in manufacture or easing the product in until it's usable; or that we have to make rush purchases to get a replacement for tomorrows gig which is a 50 km drive north Hate them all.

Stemaro Magic is a German magic dealer. One of many But recently they started a Magic Wiki Among the stuff they explain in the name of "teaching and resource": The Spider Pen pictures included , what Rubber Cement is good for and various card techniques. While this is not totally hurting magic it still is very, very unrespectful towards the magic secret.

It is German, so I see little harm overall, yet having popular trends like having a wiki for everything, iphone apps applied to magic is wrong. Please Stemaro Friday, November 11, Me sad! Me ranting! Every single one. How can those seller look at themselves in the mirror? Thursday, November 10, Randomizer. Magic cannot stand on it's own. It needs to borrow from other arts. I read a scientific study on the paddle move. Turns out that in this case a large action does not cover the small action.

The "cover" comes from the speed. After loading 25 sponge balls into a spectators hand you can basically stop the show for a few minutes. Magic gimmicks make me feels like James Bond. I'm addicted to the smell of sharpies. Who knew that yellow rope is more visible from afar that white rope I sure didn't. I saw a magician once who still owned and used the first set of sponge balls he ever got. Outbreak alert! When presenting a jumbo coin say this: "The coin is not bigger, the whole universe around it just shrunk. Wearing glasses and adjusting those once in a while gives you so much more cover when palming coins.

Does anybody know a way to force a butterfly, making it look like I just asked for an animal? No pre show! I love my mini cards, when I hold them I feel like Larry Jennings. Unfortunately, there was a mix up at the print shop, who failed to reduce their print time to accomodate a late delivery of the manuscript. Talk about bungling amateurs, Jesus! That's right, folks, I'm not going to charge you for the delay, as I have a genuine respect for all my customers. And thanks to all who expressed concern for me during my sojourn in the Netherworld.

I'm back safe and well, and you can read about it on my blog. It's available for pre-order now!!! PayPal the usual address. Labels: Barry Solayme , Dante. Wednesday, November 9, Is this a precedent? So Hans Klok got sued by his former sidekick Rafael van Herck for copyright infringement.

The court decided that the claim was just and Hans Klok needs to pay the sum of The routine involves Hans Klok reaching through his sidekicks body to grab a glass of water off a tray, then smacking off van Herck's head momentarily. Here is a link to a Washington Post article. Here you see a version of that at Not actual routine, but the whole setup. So does that mean it is possible that we finally have a precedent, that we can sue fellow magicians if they use just two things in the same order that we do?

If so Monday, November 7, Talk about bad. Here is the effect in a nutshell. You recharge a battery with your bare hands. So here is the thing. If you need a tool, that is both uncommon and hardly understood by anybody not using those on a daily basis to make the magic noticeable, then something is wrong with the effect. The effect needs to be understood effortlessly. This is not the case here, making Recharger by Stefan Schroetter a crappy effect.

This should have never seen the light of day and been released. The Worldmagicshop knows this, yet they dared to put this piece of trash in their shop. Why did they do it anyway? I am giving them the benefit of a doubt to assume that they are not stupid. But doing that makes their actions seem even more shady. Greed can not be the sole reason Sunday, November 6, iTricks down? Explain this! YSM Round Up.

Magic Review - McMiracles with Cards by George McBride

Here are my thoughts on this: I just love what they are doing. Here we have a whole bunch of Filipinos, no older than 16, totally being into magic.

Much more than documents.

Are they good? Do they hurt magic? In fact this is what I would call a phenomenon that not new. But YouTube and stuff made us aware of that. A room filled with nerdy geeks, cutting cards like crazy exchanging thoughts and ideas and filming themselves. Sounds familiar? I bet if the whole gang around Ed Marlo had today's technology similar videos would be floating around.

So what the Youth Society Magicians what a dumb name are doing is just kids playing around. Let them have their Super Kewl Club. They are not exposing magic, they are embracing it. In fact one or two of them might actually stay with this and become good magicians eventually. Do you know the feeling when a kid comes up to you telling you all about dinosaurs and Pokemon?

You may be bored and find it all stupid, but deep down you are happy for the kid, that he gets so exited about stuff. And this is why I just love what they are doing. Labels: YSM. Pasteboard Jerald is the last guy Then another spread and turnover. Then a fan, a riffle and another fan. Hey, another fan and finally a card is picked. It might feel like boring stuff, but it's called suspense. An ancient tool to make a show more cool.

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  6. Doctored Daley Presentational judo to knock your spectator off-balance. See what a small addition to a classic magic trick can accomplish. Power Of Poker One card at a time, she forms two poker hands. He correctly predicts every one of her ten separate decisions. A self-working poker blockbuster, gone mental. Counterpunch The Dunbury Delusion slams into the Biddle trick.

    It's not just a card trick, it's a con job. Shuffle the cards face-up and face-down. No way! Only Aces staring upward. Watching The Detectives Continue your guided tour down the garden path. A sandwich trick from the twilight zone. You won't see it coming. Welcome to the future. Disc 2: Origami Prediction A mathematical drive-by. Multi-stage prediction with error-correction. Fools you when you see it.

    Fool yourself when you do it. The Einstein Overkill Fooled Einstein; might fool you. Einstein didn't get to see the kicker ending. He wouldn't stand a chance. Bannon's unholy trio of ace assemblies. Ahead of their time. A neo-modern classic. Flytrap False Cut Cool, tight, and not-too-flourishy. In your hands only. You know it, you love it.

    Or, will love it In a word This is Bannon at his best. Great Stuff. They're packed with magic for the real world. John's effects are practical, his presentations are commercial, his plots are innovative, and his theories are thought-provoking. The pleasant surprise is that Bannon candidly explains why he makes the choices he does, and how he creates his wildly offbeat material.

    Thoroughly enjoyable. These are the building blocks of outstanding card effects. These are not just trivial card tricks, but ones that I will do and think about. He released Dear Mr. Fantasy at the LVMI convention and he sold out in minutes It's packed with great card effects, two which have immediately gone into my set. If you are looking for hard-hitting magic, your search is over. Smart, well thought out, multi layered, strong material in the typical Bannon style. Looked absolutely fantastic and probably the most professionally produced magic DVDs I own.

    What a rush experiencing that same feeling again with this set. BBM captured it perfectly. Great card tricks, explicit explanations, and nothing held back. In my opinion, that one minute tip from Bannon is worth the entire set I've always been a fan of his work, and more particularly in the way he thinks. This DVD set gives you an excellent insight into one of the best thinkers in our fraternity.

    Superb on all levels. You can spend it on anything you like at Penguin, just like cash. Just complete your order as normal, and within seconds you'll get an email with your gift certificate. Review Wishlist. In stock: usually ships within 24 hours! Questions about this product. Have a question about this product? Card Tricks. Store Categories. Store home.

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